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Calderón y la reescritura de títulos de comedias
Date Issued
2015
Journal
Neophilologus
Vol.
2
No
99
From page
223
To page
234
Reviewed by peer
1
Abstract
If rewriting is one of the identity signs of Calderón’s theatre, it is useful to start from the beginning and examine the occasional revision of his works’ titles, because this paratext is the principal presentation card of every text. In this way, this work analyzes the cases in where the title changes between two versions of the play (Amor, honor y poder, La devoción de la cruz, El mayor monstruo del mundo, Guárdate del agua mansa) in order to enquire the fonction of this variation, which could mean a new authorial intent and new perspectives of construction, approach and meaning.
Other version
http://link.springer.com/article/10.1007/s11061-014-9420-6
Publication type
journal article
