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Bonnefoit, Régine

Nom
Bonnefoit, Régine
Affiliation principale
Fonction
Professeure ordinaire
Email
regine.bonnefoit@unine.ch
Identifiants
https://libra.unine.ch/handle/123456789/278

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  • Publication
    Métadonnées seulement
    « ‹ Aurum omnia vincit ›, Lo ‹ Studiolo della Ricchezza › dell’umanista romano Antonio degli Effetti »
    (1997-6-1)
    Bonnefoit, Régine 
    The Biblioteca Casanatense in Rome contains a description of a cabinet(or ‘studiolo’, as it is called) in the hand of Antonio degli Effetti, which was apparently located in his palace in Rome. Despite numerous internal inconsistencies, Antonio’s account allows an approximate reconstruction of this piece of furniture which no longer survives. When the wings were opened up, a miniature gallery was revealed: some eighty tiny panel paintings were affixed to the cabinet’s small doors, the front of its drawers, and the inner side of its wings. Over sixty artists of the period contributed to the cabinet’s decoration, including Pietro da Cortona, Giovanni Francesco Romanelli, Pier Francesco Mola, Carlo Maratti, Giacinto Brandi, Guillaume Courtois, Giovanni Francesco Grimaldi, Fabrizio Chiari, Viviano Codazzi, Filippo Lauri, Flaminio and Francesco Allegrini, Michael Sweerts and Otto Marseus. In choosing which painters were to contribute to this miniature gallery, it seems that Antonio deliberately strove for the widest possible variety: his aim was apparently to reflect a spectrum of all the leading contemporary artistic currents. In effect, by commissioning painters of the most diverse styles and nationalities to contribute to his ‘studiolo’, Antonio created, ‘en miniature’, a gallery that comprised a genuine anthology of the Roman painting of his time.
  • Publication
    Métadonnées seulement
    « Mazarin collectionneur. Les miniatures de Johann Wilhelm Baur (1607–1642) au Louvre »
    (1996-2-1)
    Bonnefoit, Régine 
    Giulio Mazzarino, qui devint en 1641 le cardinal Mazarin, fut l’un des premiers grands admirateurs et le premier commanditaire de l’artiste Johann Wilhelm Baur (Strasbourg 1607 – Vienne 1642). Les dix miniatures de l’artiste que possède le Louvre proviennent de la collection du cardinal Mazarin. On y trouve les premières gouaches de Baur qui nous soient parvenues et que l’on peut dater vers 1630.