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« Abstractes Ballett. De l’écriture de la danse à la danse de l’écriture »

Auteur(s)
Bonnefoit, Régine 
Institut d'histoire de l'art et de muséologie 
Editeur(s)
Jean Torrent
Maison d'édition
Paris: Editions du Centre Pompidou
Date de parution
2016
In
Paul Klee. L’ironie à l’œuvre
De la page
190
A la page
191
Mots-clés
  • Klee
  • moderne dance
  • Palucca
  • Laban
  • dance notation
  • Klee

  • moderne dance

  • Palucca

  • Laban

  • dance notation

Résumé
Throughout his life, Klee was fascinated by the art of dance, as shown by around sixty works in his catalogue. After witnessing a performance by the Spanish dancer Augustine Caroline Otéro Iglesias in Rome in January of 1902, it became clear to him that “the artist can learn much here”, and that he would require greater contact with a dancer, “not only to feel the law of movement, but also to understand it”. During the Dessau period, Klee was friends with the German dancer Gret Palucca (1902–1993), who regularly performed her choreography at the Bauhaus.
Published in the catalogue of the Klee exhibition of the Centre Pompidou in Paris (6 April - 1st August 2016).
Identifiants
https://libra.unine.ch/handle/123456789/24598
Type de publication
book part
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