Invisible perfection : eighteenth-century artists' perplexity over Raphael's Stanza della Segnatura
| Résumé |
Examines accounts by several artists of their first encounter with
Raphael's frescoes in the Stanza della Segnatura in the Vatican.
Begins with Roger de Piles's version (in his Cours de peinture par
principes of 1708) and ends with Joshua Reynolds's, including
discussion of the latter's Parody of the School of Athens (1751;
Dublin, National Gallery of Ireland) made at the time of his first
visit to the Vatican. Shows how the same story was appropriated and
manipulated and thus had its meaning changed over the course of the
18th c. |
| Mots-clés |
Anecdote-, Cours-de-peinture-par-principes, Dublin, -IRL, -National-Gallery-of-Ireland, France-, Grande-Bretagne, Italie-, Parodie-de-lkEcole-dkAthenes, Peinture-, Peinture-murale, Piles, -Roger-de, -1635-1709, Raffaello-Sanzio, -1483-1520, Reynolds, -Joshua, |
| Citation | Griener, P. (2003). Invisible perfection : eighteenth-century artists' perplexity over Raphael's Stanza della Segnatura. In J. Nathan, & A. Roesler-Friedenthal (Eds.) The Enduring Instant. Time and the Spectator in the Visual Arts. (pp. 71-79). Berlin: Mann. |
| Type | Chapitre de livre (Français) |
| Année | 2003 |
| Editeur | Johannes Nathan, Antoinette Roesler-Friedenthal |
| Titre du livre | The Enduring Instant. Time and the Spectator in the Visual Arts |
| Editeur commercial | Mann (Berlin) |
| Pages | 71-79 |
| Titre de la collection | The Enduring Instant. Time and the Spectator in the Visual Arts |