Alfred Woltmann and the Holbein dispute, 1863-1871
Résumé |
Describes the art historian Alfred Woltmann's relationship to the
dispute involving Hans Holbein the Younger's Meyer Madonna
(Darmstadt, Schlossmuseum, 1526-1528/1529) and a painting in the
Dresden Gemaldegalerie now determined to be a copy after the
Holbein by Bartolomaus Sarburgh. Discusses the work of the restorer
Andreas Eigner and the connoisseur Ralph Nicholson Wornum in
relation to the dispute. |
Mots-clés |
Allemagne-, Attribution-, Controverse-, Copie-, Darmstadt, -DEU, -Schlossmuseum, Dresden, -DEU, -Gemaldegalerie-Alte-Meister, Eigner, -Andreas, -1801-1870, Grande-Bretagne, Historiens-de-l'-art, Holbein, -Hans, -le-Jeune, -v1497-1543, Iconographie-, Iconographie |
Citation | Griener, P. (2001). Alfred Woltmann and the Holbein dispute, 1863-1871. In M. Roskill, & J. O. Hand (Eds.) Hans Holbein. Paintings, Prints and Reception.. (pp. 210-225). New Haven: Yale University. |
Type | Chapitre de livre (Français) |
Année | 2001 |
Editeur | Mark Roskill, John Oliver Hand |
Titre du livre | Hans Holbein. Paintings, Prints and Reception. |
Editeur commercial | Yale University (New Haven) |
Pages | 210-225 |
Titre de la collection | Hans Holbein. Paintings, Prints and Reception. |