Orfeo en la poesía cortesana de Lope de Vega (1621-1624)». Janus 10 (2021): 5-38
| Résumé |
This article examines the importance of Orpheus myth in Lope de
Vega’s nondramatic works during the first years of Philip IV’s
reign (1621-1624). After reviewing the apparitions of the aforesaid
myth in Lope’s previous works, and critics opinions on the subject,
we analyze how he uses it in the three works in our corpus: La
Filomena (1621), La Circe (1624), and Orfeo en lengua castellana
(1624). In particular, we examine the mythological fables, such as
«La Filomena», «La Circe», and the Orfeo, to analyze how the myth
evolved, and to study the scene of the death of the poet, and its
connections with the possible sources: Bustamante’s Ovidian
translation, Reusner’s Picta poesis ovidiana, Pérez de Moya’s
Philosofía secreta de la gentilidad and Vitoria’s Teatro de los
dioses de la gentilidad. |
| Mots-clés |
Lope de Vega; La Filomena; La Circe; Orpheus |
| Citation | Sánchez Jiménez, A. (2021). Orfeo en la poesía cortesana de Lope de Vega (1621-1624)». Janus 10 (2021): 5-38. Janus, 10, 5-38. |
| Type | Article de périodique (Espagnol) |
| Date de publication | 26-1-2021 |
| Nom du périodique | Janus |
| Volume | 10 |
| Pages | 5-38 |
| URL | https://doi.org/10.51472/JESO20211001 |
| Liée au projet | Lope de Vega as a Courtly Writer: La Filomena (1621) and ... |